The map is huge and filled with things to do from the main quest to side missions and everything in between. Like the setting in most Assassin's Creed games, Syndicate's version of Victorian error London is a bustling mix of historically accurate recreation and interactive playground. It gives you a bit of an incentive to perform these missions flawlessly but it's a bit disappointing when it doesn't. The two play differently enough when not engaged in direct combat but once plans go to hell and you're left to fight your way out, the two feel almost identical. Jacob is more of the brute type while Evie is meant for more stealth situations, at least that's the idea. Each are well crafted characters and the moments where both are on screen are written quite entertainingly. In a first for the franchise you can switch freely between both Evie and Jacob at nearly any time during Syndicate, though there are some story missions that your choice is made for you. Is it there? Sure, but you get the feeling that Ubisoft Montreal wanted to include it as little as possible in Syndicate and the story feels a lot more coherent as a result. Thankfully, Syndicate keeps the vast majority of it's story in London and spends very little time in the modern day lore that the franchise has become so lost in. Evie is content pillaging buildings and tombs for treasures but Jacob has a much bigger target in mind overthrowing the dictator-esque Templars who are making the lives of Londoners even worse. They may be brother and sister but their goals could not be any further apart at least at the beginning of the game. The latest assassins versus Templars story follows twin assassins Jacob and Evie Frye in Victorian era London.

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